Environmentally friendly electric cars, sustainably produced food products, fair production processes: Hurray! If everything the corporations tell us is true, we can save the world through our purchasing decisions alone! A popular and dangerous lie. In his new documentary film, Werner Boote shows us, together with environmental expert Kathrin Hartmann, how we can protect ourselves. Down with green lies!

A strange green cloud has turned almost the entire human race into stone. The only survivors are eight children, their intrepid teacher Birnenstiel and his friend, a jolly millionaire, who by chance all happen to be in an airship above the green cloud at the time. Against this background Birnenstiel tells a bizarre adventure story in which he and the children are heroes. With loving and pointed irony he confronts his protagonists with deep-frozen beauty queens, gene-manipulated tomatoes, extraterrestrial maniacs, aggressive goldfish and last but not least the rampant mechanics of an abandoned civilisation which claims its victims one by one.

Financial advisor Nadja Trenkler and housewife Susanne Lasko look like twin sisters. When they happen to run into each other in the elevator one day, Nadja suggests to her doppelgänger that they occasionally switch places for a fee.

After an explorer disappears and his wife dies on a Mongolia expedition, the man's mistress who was also with them returns to Germany and poses as the wife.When a savvy blackmailer threatens her, she is tried for murder.

在对一家公司进行非法内幕交易调查期间，艾克霍夫（Eyckhoff）的同事们自己也参与了欺诈行为。现在，她要对自己的同事展开调查，这将带来不可预见的后果。

Susanne (17) and Robert (18) want to get married, but because Susanne is still under-aged, she needs parental permission. With twin babies and tight finances, the newlyweds soon feel overwhelmed, and dealing with everything makes them forget the love that originally brought them together.

Together with Stephan Hermlin, H&S examine two five-minute film documents in this film, which were shot in 1941 on behalf of the Gestapo. The comparison with a written eyewitness account exposes the first film - "about the dazzling supply of food to the Jews" - as a propaganda lie, while the second - made 14 days later - conveys a complex picture of the Nazi extermination bureaucracy.

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